Posts

‘The Godfather’ Was a Huge Risk. Robert Evans Said Yes Anyway.

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‘Dolemite Is My Name’ Takes Blaxploitation Seriously

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Requiem for White Men

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What John Singleton Accomplished With ‘Boyz N the Hood’

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1919: The Year Hollywood Was Born

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Missing Nora Ephron

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How the Rage of ‘Network’ Went From Prophecy to Nostalgia

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Alex Honnold, a Soul Freed in ‘Free Solo’

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Asian-Americans Need More Movies, Even Mediocre Ones

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And the Tainted Oscar Goes to . . .

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How I Accidentally Made My Mom a Bollywood Star

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About Op-Docs

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Are Pretty Good Marvel Superhero Movies the Best Hollywood Can Do?

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How ‘Chappaquiddick’ Distorts a Tragedy

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Sometimes a Broken Glass Is Just a Broken Glass

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Let’s Beg to Differ, Please

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Making Movies After #MeToo

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Where Can Women Make Movies? The Middle East

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Salma Hayek: Harvey Weinstein Is My Monster Too

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What Hollywood Looks Like From China

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